By Kenneth Hamilton
Pianists will locate meals for notion right here on their repertoire and the traditions of its functionality. Hamilton chronicles why pianists of the previous didn't continually start a section with the 1st observe of the ranking, nor finish with the final. He emphasizes that nervousness over fallacious notes is a comparatively fresh psychosis, and taking part in fullyyt from reminiscence a comparatively contemporary requirement.
Audiences will stumble upon a vibrant account of ways tremendously diverse are the recitals they attend in comparison to concert events of the earlier, and the way their very own position has decreased from noisily energetic members within the live performance event to passive recipients of creative benediction from the degree. they are going to realize while cowed listeners finally stopped applauding among pursuits, and why they stopped conversing loudly in the course of them.
The book's large message announces that there's not anything divinely ordained approximately our personal concert-practices, programming and piano-performance kinds. Many facets of the trendy strategy are unhistorical-some laudable, a few basically ludicrous. also they are a ways faraway from these fondly, if deceptively, remembered as constituting a Golden Age.
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Additional resources for After the Golden Age: Romantic Pianism and Modern Performance
After the Golden Age: Romantic Pianism and Modern Performance by Kenneth Hamilton